Ringu

Way back in the 90’s, a sudden film spawned a popular film franchise, triggered a Western popularization of Japanese Horror, and started a renaissance of Japanese Horror, all with a single film – Ringu.

Based on a series of novels written by Koji Suzuki, the story involves a cursed VHS tape that, after you watch it, leads to a phone call informing the viewer that they now have seven days left to live. After that, the vengeful spirit of Sadako, the girl from the well that gives Ringu its name, comes and kills you in the most terrorizing way possible. After her niece Tomoko is found horrifically dead, investigative reporter Reiko Asakawa takes it upon herself to look into the curse.

The film is lauded worldwide for its’ unique-for-that-time atmosphere, slow-burn gripping horror and intertwining of traditional Japanese ghostly vengeful horror with modern twists. There have been several sequels to the original Ringu, and a whole bunch of Americanized remakes, but nothing replaces the original vision of a contortionist nightmare wraith climbing backwards out of a well to come frighten you literally to death!

Ju-On the Grudge

They say that when a person dies in the grip of a deep and powerful rage, a curse is born. The curse gathers in the place where that person died and repeats itself there, with the help of the dead haunting said location, often killing anyone who comes into contact with that curse.

The traditional vision of the yurei, the vengeful wrongfully-killed Japanese ghost, is something we Westerners have generally come to accept as being female, with long straggly black hair and an almost see-through-like quality about her. Ju-on gives the yurei in this story license, potentially sympathetic reason even, to wreak her ghostly vengeance upon the world that did her wrong, and turns her traditional yurei appearance into weapons with which to terrorize her victims. That long straggly black hair is now prehensile and deadly, the sound of the poor drowned cat coming from the tiny boy-ghosts mouth heralds extreme sudden peril, and even that insanely creepy door-closing noise coming from mother Kayako’s mouth is now an iconic known of the Ju-On franchise.

Originally based on two short films from acclaimed director Takashi Shimizu from when he studied at the Film School of Tokyo under a Kurosawa, the Ju-On franchise of course spawned an Americanized version, aptly titled The Grudge, and a whole host of sequels. Now boasting over 8 Japanese films, a Netflix streaming TV show under the title Ju-On: Origins, several Americanized remakes with their accompanying sequels, a crossover movie featuring the ghosts from Ju-On and Ringu in a face-off, and novelizations of nearly all the films, Ju-On still stands high as a front-runner for the huge popularization of the other type of Japanese ghost-beastie, the “vengeful ghost” or onryo for viewers all around the world!

Three … Extremes

A horror anthology film comprised of a trio of stories from directors from China, South Korea and Japan, Three … Extremes was controversial when it came out and continues to remain so to this day.

Chinese Indie director Fruit Chan brings us Dumplings, a story of a woman desperate to retain her youth at literally the worst cost in the whole world; South Korea’s Park Chan Wook delivers Cut, about a prominent film director and his wife being terrorized by a psychopath from his past; and finally, almost inevitably, Japanese director Takashi Miike offers us Box, where a circus contortionist grapples with the guilt of her tormented past when evil returns to take vengeance in her adult life.

Fruit Chans’ Dumplings was expanded to whole-movie format though it kept the exact same monstrous storyline as the short; Park Chan Wook is known for such masterpieces as Oldboy, Lady Vengeance, and Snowpiercer just to name a few, he has so many; and of course Takashi Miike has so many action and horror and “other” flicks to his unique style of directing that, beyond the world of JHorror even, Miike is now a household name.

Over Your Dead Body

Arguably the most famous (and infamous) ghost story in Japan, Yotsuya Kaidan began life as a Kabuki play made for the stage in 1825, and has been adapted to film more than 30 times since then, continuing to be a giant influence on Japanese horror culture even today. The story is a tale of much betrayal, so much murder, and of course, ghostly revenge, with many layers and characters and interleaved mini-stories being added to Tsuruya Nanboku IV’s original work.

Here in modern day in the film, a troop of actors have been cast in a reimagining of the Yotsuya Kaidan stage play, and they each have their own obsessions and desires, mostly for other members of the cast. The play proceeds to intensify and amplify the casts’ possessive loves, and as the lines between reality and the play blur, spurned love morphs into multiple grudges. And we all know about Asian folk and their ghostly grudges.

Over Your Dead Body is a lesser-known Takashi Miike movie and as such, sports his zany over-the-top style of filmmaking, but for this film alone, is presented in an almost arthouse style of horror. Expect the usual splattergore and emotional explosions Miike is known for, but also anticipate a beautifully shot grotesquerie of the horrors we humans voluntarily visit upon each-other!

Audition

Based on the book by Ryu Murakami, one of the very few movies to get a “holysh*t!” style rating from the likes of Rob Zombie himself, Audition is not for the faint of stomach. Takashi Miike directs another horror movie in his singularly unnerving style, so strap in!

Shigeharu Aoyama is a widower and has been for some time, and after his grown son expresses his plans to move out soon, Aoyama acknowledges his loneliness and decides its time to start looking for a new wife. But not in any kind of normal way, like dating apps or whatever, no, Aoyama and a fellow film producer friend of his conceive to hold auditions for a non-existent film so Aoyama can choose his potential bride from the audition pool of women. Any romance begun on such lies is bound for failure, but Asami, the former ballerina with let’s just say some serious trauma issues to work out that Aoyama selects for his paramour, takes her reactions to such duplicity to major extremes.

Credited with being a major influence on the likes of Eli Roth, the Soska sisters, Rob Zombie and tons of other horror directors, plus being described as a progenitor of the now-infamous sub-genre of Horror gleefully called “torture porn”, Audition evokes strong reactions in an unforgettable Miike blend of duplicity, gorgeous monstrosity, and gore!